Hunting, gathering
and other curiosities
of the sexes
By ADAM TANOUS
Express Arts Editor
Imagine yourself at a Super Bowl
party: People are mingling, talking, watching another sleeper. Men
standing around a potato chip-bowl suddenly realize it’s empty. What do
they do?
They ro-sham bo, or debate, or
negotiate to see who has to go for more.
What happens if the same scenario
is presented to women? Naturally, they all go to the kitchen together
and talk as they refill the bowl.
Long before men and women were
determined to come from different planets—Mars and Venus,
respectively—playwright Rob Becker was busy deciphering the mysteries of
men and women. What he came up with was a 90-minute comedy, "Defending
the Caveman," the longest running, solo play in Broadway history. The
play, starring L.A. actor Chris Sullivan, is on a nationwide tour and
will be presented Sunday, Feb. 29, in the Limelight Room of the Sun
Valley Inn. Curtain time is 7 p.m. Tickets are available at Chapter One
Bookstore, Johnny G’s Subshack, and River Ranch Clothing in Ketchum, or
Flolo’s in Hailey.
The one-night-only performance is
presented as a fundraising benefit for the Pioneer Montessori School in
Ketchum.
Originally opened in San Francisco
in 1991, "Defending the Caveman" went on to a two and a half year run on
Broadway at the Helen Hayes Theater. The New York Times called the show
a "… comic phenomenon."
Becker’s play, in general terms,
is about how men and women relate. But Becker makes light of the
differences in the context of a greater anthropological scheme. Much of
the disconnect between the sexes, he asserts, is rooted in the
observation that men are basically hunters and women are gatherers.
Sullivan, who was in Colorado
performing last week, said in an interview that the analogy goes a long
way in explaining our differences. "Hunters concentrate on their prey to
the exclusion of just about everything else. For instance, I bet you
turn down the car radio when you get lost driving. There’s no reason to,
but men do it."
In that same vein, men’s sense of
territoriality stems from that hunter background, Sullivan explained.
It’s why men never ask for directions when they get lost. "Who wants to
pull over, roll down the window and ask someone into your rolling world
at the exact moment you have demonstrated your incompetence, that you
can’t get to your destination?"
Then there is the issue of
language. In the play it is noted that, on average, men speak about
2,000 words a day and women 7,000. Sullivan explained that hunters try
to be quiet, that’s what they have to do when they’re hunting. Women
operate in groups, "they talk more, gather information. And they talk to
scare others away. When it gets quiet is when they know something is
wrong." Women bond by talking, sharing emotional insights. Men bond by
sharing silence, and the occasional name calling, for long periods of
time.
Sullivan, who has been touring
with the show for the last six months, said it has been very well
received. "The play tries to reintroduce humor and comedy into
relationships. You look around in the audience and realize other couples
are having the same arguments. It allows you to look at the arguments
you may be having with some humor."
Playwright Becker spent nearly
three years writing the play after an informal study of anthropology,
prehistory, psychology and sociology. Becker has said in previous
interviews, "I was always interested in the way that men and women
perceive each other. I began to think of them as two different cultures,
with different customs and rituals. It makes sense that we would evolve
differently."
Becker, originally a stand-up
comic, opened the show in San Francisco in 1991. From there it went to
Dallas, Washington, D.C., Philadelphia, Chicago and then Broadway. After
702 performances, the show went on tour with two actors, Sullivan and
comic Kevin Burke alternating in the lead role.
Sullivan, who is married to a
ballet dancer in L.A., said his wife helped him a lot with the show, as
did the playwright. Becker directed him for three weeks before the
touring show was launched. After six months of touring, Sullivan sums up
the production succinctly:
"There are really two goals of the
show: to remind men how magical women are, and to remind women we men
aren’t all … s."
You can fill in the blank.