Grappling with the West
      West Word reading series begins Thursday
      
      By ADAM TANOUS
      Express Arts Editor
      "The real world goes like this: The Neversummer
      Mountains like a jumble of broken glass. Snowfields weep slowly down.
      Chambers Lake, ringed by trees, gratefully catches the drip in its tin
      cup, and gives the mountains their own reflection in return. This is the
      real world, indifferent, unburdened."
      So begins James Galvin’s 1992 novel, The Meadow.
      If presented a little differently, the passage might be a poem, and, in
      fact, may have begun as one. Whether poetry or prose, the writing
      expresses the way this place in which we live, the West, holds a presence
      in our imaginations.
      While it is not unusual for place to play such a role in
      fiction--to the point of being the unnamed character in the plot--it seems
      that the West, because of its size, demands a larger piece of turf in our
      consciousness.
      No doubt the West is a loaded word and place. In contrast
      to the openness of the land, the people and the issues they bring to it
      are complex and varied. This may be why it continues to thread its way
      through our literature and our lives.
      Kicking off a five-part series of readings entitled West
      Word: Fiction from the New West, the Sun Valley Center for the Arts will
      present James Galvin reading from his latest novel, Fencing the Sky,
      Thursday at 7 p.m. A reception and book signing will follow the reading.
      Galvin, a native of Northern Colorado and currently
      director of the University of Iowa Writer’s Workshop, is the also the
      author of several books of poetry, including Imaginary Timber, God’s
      Mistress and Lethal Frequencies.
      The idea for the reading series came out of last year’s
      Western Issues Conference. Historian and author Richard White pointed out
      that the stories we tell about the West have the ability to shape our
      perspective of the past and the future. Because the West is growing and
      changing so quickly, White said, new stories are needed to reflect our
      modern concerns.
      Even the title of Galvin’s recent novel, Fencing the
      Sky, underscores the contradictions and impulses that course through
      modern life in the West.
      To shine light on the stories of the West that are being
      told now, the center is bringing in five authors to read from their work.
      Other writers scheduled to read are Brady Udall (Letting Loose the
      Hounds) on Feb. 22, David Treuer (The Hiawatha) on March 1,
      Karla Kuban (Marchlands) on March 8 and Susan Straight (Blacker
      Than a Thousand Midnights) on March 29.