‘That’s pretty
wild, dude’
Peruvian brings magic to Wood
River Valley
By GREG MOORE
Express Staff Writer
It’s dinnertime at the Roosevelt
Tavern and Grille, and itinerant magician Jorge Jaime, a 27-year-old
Peruvian, is plying his trade. He steps up to a table where four men
have just finished eating. Would they like to see some magic tricks? The
men are non-committal. Two of them shrug their shoulders, as if to say,
"Sure, why not? We’ve got nothing better to do."
Magician Jorge Jaime
creates a paper rose from a cocktail napkin during an apres-ski
performance at Apple’s Bar and Grill. In another minute, the rose will
magically float in mid air. Express photo by Willy Cook
It’s clear that this bunch is
going to be a tough sell. These are real men—the table is littered with
the remains of steak dinners, beers and shot glasses. As Jaime goes into
his routine of card tricks, the men lean forward and look intently to
discover how the tricks are done. There’s no way they’re going to let
this young foreigner outsmart them. When Jaime appears to fumble and the
trick appears to be a failure, they grin and start—just for a moment—to
tell him he’s blown it.
But the fumbling’s all part of the
act. Miraculously, the sought-after card appears in a completely
unexpected place.
The men lean back, laugh and shake
their heads. They admit defeat, and the tension’s gone.
"Pretty wild, dude," says one.
"You should go to Vegas, man,"
adds another.
Jaime flashes his shy smile,
collects a few bucks, thanks them and continues his rounds.
As he moves from table to table,
all but the most blasé get sucked into watching. A white rose Jaime
makes from a cocktail napkin suddenly floats in mid air. He passes his
hands over it, under it and around it, then points to his short-sleeved
T-shirt, to say, "See, nothing there!" He snatches the rose out of the
air and passes it to a lady at the nearest table.
"No way!" someone says. "No way!"
That becomes the refrain of the evening.
Jorge Jaime does one of his
many card tricks for a group of entranced customers at Apple’s.
While making his rounds, he tells
this reporter about how he got started doing his magic tricks three
years ago in Lima. Now, it’s all he wants to do. Ever since he saw a
documentary about a magician doing tricks on the streets of New York,
he’s been hooked. He saw the documentary a second time, and recorded it.
He watched the two-hour show 25 times, and figured out four card tricks.
He soon met a magician, and begged the man to teach him some more
tricks. The magician was impressed that Jaime had learned what he knew
just from watching the video, but for four months, he refused. Finally
he relented, but insisted that Jaime spend two months just learning how
to handle the cards. Every day during his computer classes, Jaime held a
deck of cards under his desk, and practiced shuffling them with one
hand, over and over and over, until his fingers hurt too much to go on.
Bit by bit, he became proficient
at numerous tricks, and decided he wanted to earn enough money to go to
a professional magicians’ school in Los Angeles. About a year ago, he
heard that the Sun Valley Co., in Idaho, in the United States, was
hiring foreigners. By American standards, the pay was low, but by
Peruvian standards…wow! Maybe he could make enough to fulfill his dream
of turning pro. He came to Idaho and spent the winter working as a lift
operator on Dollar Mountain.
Some days, after work, he does his
magic at a local bar, most often at Apple’s near the Warm Springs base
area.
Jaime says there are several types
of magic, including stage magic, close-up magic and illusion. His brand
is the close-up type. But it’s not just the tricks that matter.
"I can’t consider myself
successful just because I know something you don’t know," he says. "The
secret isn’t important—it’s movement, style, confidence and how the
magician interacts with the people.
"The difference between magic and
tricks is that magic has artistic merit. You need to add the theater.
The magician is an actor who has to be in character. If you don’t
deceive yourself, you can’t deceive the people who are watching."
Jaime’s skills allowed him to get
over a natural terror of public speaking. He’s still soft spoken, but
now, when he deftly fans out cards or pulls objects seemingly out of
thin air, he’s cool as a cucumber. His Spanish accent and awkward grasp
of English only add to the mystery.
Whenever he performs, he says, he
observes the kinds of people he’s dealing with—their expressions, their
reactions. They always fall into one of several categories. Some, the
analytical types, just have to figure out how the tricks are done.
That’s a tall order.
At the Roosevelt, one guy
announces to his friend, "I’m going to figure this out before the
night’s over!" After a few tricks, his friends turns and says with a
groan, "This could be a long night." The first guy perks up and yells,
"Bartender!"
A 10-year-old girl, too, is
watching intently.
"Where’s my teacher when I need
her?" she asks.
Jaime says no one’s ever guessed
how a trick is done by watching only once. But if, after multiple
viewings, someone does figure out a trick, it’s often a child. One of
the reasons tricks work, he says, is that people’s minds deceive them
into thinking they’re seeing something they are not. They expect
movements to follow patterns with which they’re familiar. But to
children, everything’s new, and they can sometimes see what’s really
happening rather than the illusion of what’s happening.
At another table, a middle-aged
woman exemplifies another type. While Jaime spends 10 or 15 minutes
entertaining her friends, she stubbornly keeps her face buried in her
menu. It just can’t take that long to choose dinner. No, Jaime
says afterward, some people just refuse to get sucked in because they
see the act as a competition to determine who’s smarter—themselves or
the magician. They’re afraid they might lose, so they decide,
consciously or not, that it would be better to just not get involved.
Then there’s a third type—those
who don’t try to guess but just accept it all as magic. Eight-year-old
Hayley Murach is one of those. Her face lights up after every trick.
"I think he has special powers
that are in his head so he can make things disappear," she says.
The adults, too, who seem most
entertained are the ones who just sit back and watch and view it all as
something amazing.
Jaime says that sometimes after he
has performed his tricks, a child will come up and ask something like,
"Can you make me fly?" or "I want to be invisible!"
"That is very beautiful to me," he
says. "My work is to make people believe in magic."