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For the week
of April 2 - 8, 2003
Johnny is still
getting his gun Commentary by
DICK DORWORTH
"O Lord our Father, our young patriots,
idols of our hearts, go forth to battle—be Thou near them! With them—in
spirit—we also go forth from the sweet peace of our beloved firesides to smite
the foe.
"O Lord our God, help us to tear their
soldiers to bloody shreds with our shells; help us to cover their smiling fields
with the pale forms of their patriot dead; help us to drown the thunder of the
guns with the wounded, writhing in pain; help us to lay waste their humble homes
with a hurricane of fire; help us to wring the hearts of their unoffending
widows with unavailing grief; help us to turn them out roofless with their
little children to wander unfriended through wastes of their desolate land in
rags & hunger & thirst, sport of the sun flames of summer & the icy winds of
winter, broken in spirit, worn with travail, imploring Thee for the refuge of
the grave & denied it—for our sakes, who adore Thee, Lord, blast their hopes,
blight their lives, protract their bitter pilgrimage, make heavy their steps,
water their way with their tears, stain the white snow with the blood of their
wounded feet! We ask of one who is the spirit of love & who is the ever-faithful
refuge & friend of all that are sore beset, & seek His aid with humble &
contrite hearts. Grant our prayer, O Lord & thine shall be the praise & honor &
glory now & ever, Amen."
— Mark Twain, from "The War
Prayer," written in 1905 during the Philippine/American War.
Mark Twain was vice-president of the anti-Imperialist League
and America’s most prominent literary opponent of war at the start of the 20th
century. One of literature’s great satirists, Twain was writing during and
against the American invasion and occupation of the Philippines. President
Theodore Roosevelt declared that war over on July 4, 1902, but the date was only
patriotic symbolism—the gesture just a political move to circumvent a Senate
hearing into embarrassing atrocities committed by U.S. soldiers in the
Philippines. In reality, neither the war nor the inevitable atrocities were
over. The two best remembered massacres of civilians (in the Philippines, though
not in America) took place in March 1906 when the Sixth Infantry, commanded by
General Wood, massacred 900 Muslim men, women and children at Bud Dajo, where
they had taken refuge in a dormant volcano crater; and in June 1913 where U.S.
soldiers under the command of General "Black Jack" Pershing slaughtered 500
Muslim men, women and children at Bud Bogsak. These slaughters took place after
Twain wrote "The War Prayer," which, like most anti-war literature, was
suppressed and long unnoticed. Anti-war literature makes people uncomfortable
with the deep substance of the consequences, as well as the small-minded
hollowness of the supposed glories of war. Discomfort, of course is its
intention.
Harper’s Bazaar, which regularly published Twain, rejected
"The War Prayer" as "not quite suited to a woman’s magazine." Of Harper’s
refusal to publish the prayer, Twain wrote to a friend, "I don’t think the
prayer will be published in my time. None but the dead are permitted to tell the
truth." He also mentioned that his Harper’s editor was "responsible to his
Company," and "should not permit laughs which could injure its business." In
fact, "The War Prayer" remained unpublished until 1923, long after Twain was
dead, and it is a truism of commerce that uncomfortable truths are often bad for
business and as a consequence are suppressed.
Mark Twain was the first great 20th century
American of letters and the arts to use his craft in the service of anti-war
belief. He was not the first in history or the last of a century in which more
than 200 million people died in wars, the great majority of them civilians.
Film was the art form of the masses in the 20th
century. The two best antiwar films I know are "Coming Home" (1978) which won
Academy Awards for best actor (Jon Voight), best actress (Jane Fonda), and best
original screenplay (Nancy Dowd, Waldo Salt and Robert C. Jones); and "Born on
the Fourth of July," (1989) based on the autobiography of Vietnam war hero Ron
Kovic who went to Vietnam as a true-believer and warrior and came home to
America a paraplegic and one of America’s leading antiwar activists. Each film,
one a true story, is a powerful portrayal of a man who went to war in the belief
that he was doing the right thing and came home crippled in body and spirit and
questioning the premises of war itself. In my opinion, every American teenager
should view these films.
But the ne plus ultra treatise of antiwar thought is
Dalton Trumbo’s novel "Johnny Got His Gun." Published in 1939, it won a National
Book Award. The protagonist, Joe, is a WWI American soldier who is in a British
hospital. He has no arms, legs, eyes, ears, mouth, tongue, or face. No one knows
who he is, and he cannot tell them. Nevertheless, he is ceremonially decorated
as an anonymous war hero. All that’s left are his mind and his memories and his
humanity. Joe can move his head and he begins banging his head in Morse code,
attempting to communicate. At first they think he is having seizures and he is
sedated, but finally his nurse figures out what he is doing. She notifies his
doctors and they communicate, Joe banging his head, the doctors drumming on his
head with their fingers. Joe realizes he is a hero and a monster, and he wants
to go on display with his disfigurement to graphically illustrate to the world
the true horrors of war.
The reply, literally pounded into his head in Morse code, is,
"What you ask is against regulations."
It is against regulations to display the monsters that result
from the horrors of war. Only the dead are permitted to tell the truth. Laughs
are not permitted that could injure business as usual. But, as the 21st
century gets going, Johnny is still getting his gun.
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