Tributes finally
for
‘The Master Editor’
Commentary by Pat
Murphy
For more
than a half century, Jim Bellows has been creating a monument to his life’s
work, and much better than granite.
Bellows’
perpetual memorial are thousands of writers and journalists who’ve come
under his spell and been shaped and inspired by Bellows’ ideas and
codes. His imprint also is in innovations in newspapers and television
that remain even today.
As if to
serve as an exclamation point to a career that few American journalists
can equal, Bellows’ memoir—"The Last Editor"—is out and a
PBS documentary has been produced from the book (Idaho Public Television
has yet to schedule the program). CNN also is excerpting the book’s
first four chapters.
Those who’ve
known Bellows may find this hullabaloo casting him as something of a
celebrity to be a contradiction. Bellows is a man of few words, whose
mentoring was achieved with hand signals and sparse verbiage.
Bellows has
another rare and admirable quality: He never abandoned friendships.
I met
Bellows 53 years ago in 1949 on our first newspaper job—he, about 26,
was a reporter on the Columbus (Ga.) Ledger, and I, at 20, was an
on-the-job information specialist trainee for the U.S. Army concealed
under civvies and learning the craft of reporting.
Years
later, after meeting him for a drink in New York City in the mid-1980s
when he was with ABC television and I’d earned my spurs as a newspaper
publisher, we didn’t see each other again until the late 1990s, when I
moved to Ketchum and where Jim had helped create the annual Writer’s
Conference, once again stirring dormant creative instincts of yet more
potential writers. He faithfully pops over from his Los Angeles home every
year to mentor attendees at the conference.
Just scan
Bellows’ bio. After reporting and editing posts at the Columbus Ledger,
Atlanta Journal and Detroit Free Press, Bellows was hired by Jock Whitney
to be editor of the prestigious (but now defunct) New York Herald Tribune.
From there
to the Los Angeles Times as associate editor, editor of The Washington
Star (now defunct), editor of the now-closed Los Angeles Herald Examiner,
managing editor of the trendy ABC television program Entertainment
Tonight, then executive editor of ABC’s World News Tonight, editorial
director of the online Prodigy, executive producer of USA TODAY on TV,
west coast bureau chief of TV Guide, executive editor of the online
service Excite!, and media consultant.
With that
job-hopping, one unfamiliar with the Bellows energy for new challenges
might conclude erroneously he couldn’t keep a job. In 1992, Washington
Journalism Review called Bellows’ career "the longest resume in the
history of journalism."
He was
always restive to take on new problems and try new ideas.
He
introduced graphics and better page design, brighter writing, and sharper
editing to brighten dull looking newspapers. He also made
"gossip" a trademark—such as the voraciously read
"Ear" column in The Washington Star that chronicled the doings
of the mighty.
ABC’s
Entertainment Tonight’s audience remains one of the largest on
television.
Feisty,
street-wise New York columnist Jimmy Breslin and novelist Tom Wolfe were
relative unknowns until Bellows made them part of his stable.
Bellows is
a serious man, well-read, aware of the larger world around him. But he
also had the intuition to understand that news media needed a mix of the
serious, light-hearted and provocative to satisfy appetites of Americans,
whose yearning for information was expanding faster than the imagination
of editors.
Summer is
almost here. Bellows will again be in Sun Valley treating pros and novices
at the Writers Conference to stuff that makes him the master.