Center has
      illuminating season ahead
      
      By DANA
      DUGAN
      Express Staff Writer
      Like the
      Grande Dame she is, The Sun Valley Center for the Arts and Humanities
      still needs to gave a party every once in a while to show-off her stuff
      and garner support.
      That’s
      exactly what it did last Wednesday evening, by inviting town pols,
      leaders, gallery owners, artists and other luminaries of the area, many of
      whom are active supporters of the arts in the valley, to the Center.
      In an
      inspiring hour of descriptive snippets by the heads of the various
      departments¾ Performing Arts, Visual, Education and Humanities¾ the
      schedule and vision for most of the following year was revealed.
      Artistic
      director Kristin Poole introduced the current exhibit, a progressive
      multi-disciplinary presentation called "Mirroring History: The Gaze
      of Hate in the 20th Century."
      "We’ve
      never taken on such a huge project," said Poole.
      Indeed, the
      presentation offers some weighty and thought provoking issues in art,
      word, dance and music.
      But it’s
      not all a big downer.
      In fact,
      there is much to be excited about in the next four months of this evolving
      exhibit.
      Initially,
      the exhibit focuses on the Japanese interment camp in our area, Minidoka,
      with the exhibit "Whispered Silences, Remembering America’s
      Japanese Internment Camps."
      Featured in
      the gallery are many moving photographs by Joan Myers, who stumbled on the
      ruins of this camp by accident and sought to preserve what remains there
      in striking black and white photos.
      Accompanying
      that is an installation by local artist Bob Dix. A replica barrack,
      similar to those people actually lived in, has been built in the gallery.
      Within it, actual film footage taken at one of the camps runs
      continuously. Letters and artifacts are inside as well.
      Also on
      display in the gallery are The Letters of Clara Breed, a librarian in San
      Diego, who had the foresight to correspond with many of her young friends
      while they were interned in Idaho. The letters she carefully saved
      hauntingly illuminate the daily experiences of innocent Japanese Americans
      wrongly interned in a time of fear and intolerance. School children will
      be encouraged to respond to the letters when they visit the Center, and
      postcards are available for that purpose.
      A
      corresponding documentary film series runs every other Tuesday at the
      gallery. It includes incredibly worthwhile documentaries that cover a
      broad spectrum of hate, intolerance and diversity.
      Included in
      this series are movies about the internment camps, the Holocaust,
      "Four Little Girls" by Spike Lee about the girls blown up in a
      church 40 years ago in Birmingham, Ala., "Blink" by Elizabeth
      Thompson, who’ll be here to discuss the film about a reformed white
      supremacist, and "The Times of Harvey Milk," about the gay San
      Francisco city supervisor, who was assassinated along with Mayor George
      Moscone in 1978.
      All of
      these events are free to the public.
      Opening
      Dec. 17 is the second portion of the "Mirroring History"
      presentation, "In the Shadow of the Holocaust."
      This
      display examines the larger context of hate and intolerance through the
      eyes of post-WWII German artists.
      The curator
      of modern art at the St. Louis Art Museum, Cornelia Homburg, will discuss
      contemporary German artists, who have responded to their country’s
      legacy of intolerance. Some extremely well known artists’ works will be
      on display, including work by Joseph Beuys and Gerhard Richter.
      This
      lecture also corresponds with the exhibit "Between the Wars: Prints
      by Max Beckman, Otto Dix and George Grosz."
      Director of
      Education and Humanities Heather Crocker discussed the many outreach
      programs, lectures by visiting authors and professors, and classes being
      held at the Center and local schools.
      Among the
      lecturers coming are Edgar Bronfman, who’ll talk about helping Jewish
      families retrieve art work and money illegally taken from them during
      World War II.
      Peter Boag,
      a historian, will discuss the history of gay and transgender people in the
      Pacific Northwest, as well as provide commentary on the movie, "The
      Times of Harvey Milk."
      The new
      Performing Arts director, Amy Wigstrom, spoke enthusiastically about the
      many exciting events that are scheduled in her department, including
      performances in the near future by the (Alvin) Ailey II dance troupe,
      renowned performance artist Meredith Monk, new chamber music artists Bang
      on the Drum All-Stars, and classical guitar virtuoso and Grammy winner
      Sharon Isbin.
      Early next
      year, a presentation called "The Ephemeral and The Organic" will
      bring to the valley nature artists David Nash and Andy Goldsworthy.
      "This is great fodder for kids," Poole said. And a multimedia
      installation by the photographer, folklorist and video artist Carrie Mae
      Weems is slated for mid-summer.
      Meanwhile,
      in an unfortunate timely way, the Center is presenting this evocative
      four-month retrospective on hate and intolerance, linking the past to the
      present, in the hope that it will initiate a healing process since the
      disasters on September 11.
      In her
      brochure for the presentation, Poole cites "troublesome paradoxes
      have led us as an organization to locate artists who have considered the
      questions" of intolerance and hate in depth.
      Based on
      the inspiring lecture and presentation given at the Center for the coming
      season, it promises to be a season full of educational opportunities,
      illuminating art work and exciting performances.